(This review originally appeared in the February, 2006 issue of the San Diego Troubadour–www.sandiegotroubadour.com)

The Grams

The Grams

by Simeon Flick

This music drifts in like a nag champa haze over the Appalachian range, leaving a rarified mist of joi de vivre in its wake. The Grams start with a compelling admixture of east-meets-west aesthetics; then they add superlative old-school songwriting and vocal harmonies, and pound in the final nail with a prodigious lineup of multifaceted musicians.

Chuck Schiele (vocals, guitar, and chief songwriter) has corralled ten songs that combine old-world eastern sounds and western musical forms into an aurally inspiring pastiche of intermingling cultures and textures. ‘Sixteen Seconds’, ‘Joujouka’ and ‘21g’ practically throb with Indian and Asian modality and groove as exotic percussions blend together with an often alternately tuned guitar, dobro, e-bow, occasional bass and violin. ‘Crabbuckitt’ blows it wide open with Cajun rhythmic attack and a group-sung chorus punctuated by Schiele’s animated yelps, which help cultivate a spontaneous vibe on other songs as well. ‘You’ might initially seem like just another love song, but you’ll be amazed at how this tune actually makes you feel like you’re in love. And the acoustic folk-pop melodies of ‘Secret’, ‘Perfect World’ and ‘Poor Little Rich Girl’ will stay in your head for days.

The husband/wife team of Craig Yerkes (lead guitars, vocals) and Elise Ohki (violin, vocals) put the meat on these songs’ bones. When not trading virtuosic leads and filling space with sublime melodies on their respective instruments, they’re adding their vocals to Schiele’s for tight two and three-part harmonies. Yerkes’s leads are crisp and wonderfully restrained; the dobro on ‘Joujouka’ is akin to the outstandingly nuanced, sitar-esque solo on Steely Dan’s ‘Do It Again’. And Yerkes’s lucid tenor is the yin to Schiele’s raw yang, especially during his lead vocal turn on ‘Poor Little Rich Girl’.

Although some songs beg further instrumentation, The Grams still managed to strike a good balance between embellishment and restraint with the help of co-producer/multi-instrumentalist Jeff Berkeley, whose percussion prowess did unobtrusive service to the music.

The Grams, whether they’re pumping you up or chilling you out, will leave you with no doubt that they have made a life-affirming acoustic record worthy of your attention.

Get uplifted soon at http://TheGrams.net/, cdbaby.com, Tower Records, and at the official CD release party in March.